An end-to-end Shorts system for turning strong Marvel Rivals moments into new-viewer entry points. Hook-first, retention-first, and built to compound month over month.
12/mo
Shorts delivered, end-to-end
$4,500/mo
Retainer, upfront monthly
20 MAY
First production cycle starts
Also included · 1 revision round per Short · Weekly strategy call · End-to-end VOD review
01 / THE GOAL
A consistent Shorts engine for Marvel Rivals.
The opportunity is to take the strongest moments from your long-form videos, VODs, recordings, and gameplay sessions, then turn them into Shorts that pull in new viewers and make them want to watch more of your content.
Here is how I would get there
Find moments with real Shorts potential
Turn those moments into hook-first edits
Make each Short clear and engaging for new viewers
Review performance every week
Use the data to sharpen the next batch
Build a repeatable system that compounds over time
02 / MONTHLY DELIVERABLES
12 Shorts. Fully end-to-end.
VOD and footage review
Clip and angle selection
Short structuring
Full edit
Captions and subtitles
Hook and pacing optimization
1 round of revisions per Short
The goal is to deliver Shorts that feel strong enough to publish, not just hit a quota for the sake of volume. If an angle does not feel strong enough after clipping or early edit review, I would rather kill or replace it than force a weak Short.
03 / FOOTAGE REVIEW SCOPE
Streams, VODs, raw footage. All in scope.
Since this is an end-to-end workflow, footage review is part of the service. That covers streams, VODs, long-form videos, gameplay recordings, or any raw footage you want Shorts pulled from.
The working assumption is that I review the main footage you want prioritized each week and pull the strongest Short-worthy angles from it. If footage volume increases significantly later, we adjust the workflow accordingly.
04 / TURNAROUND
A normal Short cycle.
DAY 01
Clipping & Angle Selection
I go through the VOD, stream, or long-form footage and identify possible Short-worthy moments. Each clip is judged on:
Hook strength
Context clarity
Reaction or payoff
New viewer readability
Meme or funny moment potential
Whether it stands alone outside the full video
DAY 02
V1 Edit
The first version of the prioritized Short is created.
Hook setup
Pacing
Captions
Cuts and visual emphasis
Sound or beat timing where needed
Overall structure from setup to payoff
DAY 03
Day-After Review
A fresh review before final delivery. A Short often becomes much clearer after stepping away from it.
Issues with pacing, context, caption timing, dead air, or payoff become easier to spot with fresh eyes. If needed, I make improvements before sending the final version.
REVISION BUFFER
Each Short includes up to 1 revision round. If a Short needs extra polish before I am happy with it, I handle that internally before delivery.
05 / AFTER THE SHORT IS POSTED
Three metrics that matter.
Once a Short is published, I track performance through a one-week review window. These are the three signals I read closely.
01
Stayed vs Swiped
Tells us how strong the opening hook was. If a lot of people swipe away, the issue is usually in:
The first 1 to 3 seconds
The setup
How fast viewers understand why to care
02
Audience Retention
Shows where viewers drop off inside the Short. From this we learn:
Where pacing slowed
Where context was missing
Where the payoff took too long
Which parts held attention
Which decisions to repeat or avoid
03
Engaged Views
The bigger picture. Higher engaged views usually mean the Short is not just getting shown, but actually holding enough people for YouTube to keep pushing it to new viewers.
Over time, this reveals which formats, characters, situations, jokes, reactions, and hooks are worth repeating.
06 / WEEKLY CALL
One call. Keeps the system tight.
What was posted
What performed well
What underperformed
What the data is showing
What angles to test next
Upcoming videos, streams, or tournaments to prioritize
This is also where your input matters most. You know your audience better than anyone. The best system is a mix of your understanding of the community and my understanding of Shorts packaging, pacing, and retention.
07 / WHAT I WOULD NEED FROM YOU
Three things to keep this smooth.
01
VODs & Raw Footage
Access to the VODs, streams, or long-form videos you want me to pull from.
02
Performance Data
Shared however you are comfortable.
Weekly screenshots
Screen share on the weekly call
Editor access once trust is built
Most useful signals: views, engaged views, stayed vs swiped, retention graph, average view duration, and any Shorts that brought in noticeable new viewers or subscribers.
03
Creative Context
Anything that helps me read your audience faster.
Inside jokes
Characters your audience loves
Running bits
Moments you personally find funny
Things you do not want included
Any style preferences
08 / INVESTMENT
The rate.
MONTHLY RETAINER
$4,500/month
Paid monthly, upfront, before the production cycle begins.
WHAT IS INCLUDED
12 Shorts per month
End-to-end VOD review and clipping
Full editing
1 revision round per Short
Weekly performance and strategy call
Ongoing analytics review and iteration
09 / WHY RETAINER
Consistency beats one-offs.
The goal is not random one-off Shorts. The goal is a repeatable Shorts system. That means I am not thinking about one edit in isolation, I am thinking about:
What worked last week
What we should test next
Which hooks are worth repeating
Which ideas should be killed
How each batch can be sharper than the last
How Shorts consistently pull new viewers in
A per-Short setup usually pushes the work toward volume. A retainer lets us focus on consistency, quality, iteration, and long-term growth.
10 / START DATE
First cycle.
20MAY
FIRST PRODUCTION CYCLE
If everything looks good, we can begin the first 30-day production cycle from 20th May. The first month acts as the setup and testing cycle where we build the workflow, test angles, review early performance, and create the base for the next month.
11 / NEXT STEPS
Let's hop on a 20-min call.
Twenty minutes to walk through scope, workflow, deliverables, and anything else you want to dig into. After that, if everything feels aligned, we lock the start date, payment, and the first batch of footage.